{"id":1375,"date":"2011-02-03T17:41:00","date_gmt":"2011-02-03T22:41:00","guid":{"rendered":"http:\/\/www.champslibres.info\/?p=1375"},"modified":"2011-02-03T17:41:59","modified_gmt":"2011-02-03T22:41:59","slug":"gabor-expose-ses-proches","status":"publish","type":"post","link":"https:\/\/martinbenoit.com\/champslibres\/?p=1375","title":{"rendered":"Gabor expose ses proches"},"content":{"rendered":"<p><em>par Guillermo Olivencia<\/em><\/p>\n<p>Dans l\u2019exposition photographique, intitul\u00e9e Famille, Gabor Szilasi visite sa vie priv\u00e9e, ses sentiments et la complicit\u00e9 avec ses \u00eatres aim\u00e9s. Les 35 clich\u00e9s en noir et blanc parlent d\u2019une atmosph\u00e8re intimiste et po\u00e9tique, le plaisir des relations familiales et surtout, son chez lui, l\u2019espace d&rsquo;un photographe que l&rsquo;on voit rarement.<\/p>\n<p>Vers la fin de l\u2019exposition, nous aurions envie de voir notre m\u00e8re, notre p\u00e8re ou grand-p\u00e8re. Nos souvenirs apparaissent comme si Gabor d\u00e9clenche son obturateur, mais cette fois celui de notre imaginaire et notre m\u00e9moire.<\/p>\n<p>Gabor, qui est un photographe social et humaniste, nous fait r\u00e9fl\u00e9chir sur notre m\u00e9moire et sur la valeur de la photographie familiale, surtout quand les personnes qui sont photographi\u00e9es disparaissent et que la photographie devient le seul moyen de les faire revivre.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" width=\"450\" height=\"283\" src=\"http:\/\/www.youtube.com\/embed\/bYosdkjGtlA?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>par Guillermo Olivencia Dans l\u2019exposition photographique, intitul\u00e9e Famille, Gabor Szilasi visite sa vie priv\u00e9e, ses sentiments et la complicit\u00e9 avec ses \u00eatres aim\u00e9s. Les 35 clich\u00e9s en noir et blanc parlent d\u2019une atmosph\u00e8re intimiste et po\u00e9tique, le plaisir des relations familiales et surtout, son chez lui, l\u2019espace d&rsquo;un photographe que l&rsquo;on voit rarement. Vers la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,64,13,15],"tags":[],"class_list":["post-1375","post","type-post","status-publish","format-standard","hentry","category-culturel","category-education","category-photojournalisme","category-societe"],"_links":{"self":[{"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=\/wp\/v2\/posts\/1375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1375"}],"version-history":[{"count":3,"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=\/wp\/v2\/posts\/1375\/revisions"}],"predecessor-version":[{"id":1378,"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=\/wp\/v2\/posts\/1375\/revisions\/1378"}],"wp:attachment":[{"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinbenoit.com\/champslibres\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}